Future Islands’ third full-length release is largely contemplative but manages to keep a poppy energy throughout. The synthy backing tracks and William Cashion’s prominent bass lines nicely compliment the lead singer’s croon. Future Islands’ smoldering songs use synthpop influences masterfully: tracks like “Grease” and “On the Water” build up a sensitive energy that defines On the Water‘s sound. Sam Herring’s vocals also shine through the album thanks to his deep and dynamic delivery. Although the songs may dip into saccharine sentimentality, the album’s poppy accessibility and Herring’s earnestness has made this album into one of Future Islands’ best.
“Balance,” the eighth track off the album, shows off a lot of what Future Islands has done well on this release. Gerrit Welmer’s keyboarding gives a playful ’80s feel to the track without becoming parody or imitation. While Herring’s lyrics can have moments of disjointedness, on “Balance” they give the track a swinging optimism and ease that Herring sometimes misses in the album. The Rod Stewart vibe that is a little thick in “Balance” pokes in and out throughout the rest of the album. This attractive confidence stops this album from ever getting bogged down with its melancholic themes. On the Water is a step forward in the band’s sound; it captures Future Islands’ unique capacity for creating songs that are tender yet still reminiscent of an ’80s prom band.