Neon Indian’s latest single “Slumlord” adds fuel to the new music explosion that is 2015. With their new album, VEGA INTL. Night School, due for an October release, this is a year that seems to get better and better for music lovers. To add even more excitement, Neon Indian has a fall tour planned, including stops in Madison, Minneapolis and Chicago.

Though heading in a new direction, “Slumlord” maintains the electronic influence of the widely acclaimed 2011 release Era Extraña. It’s a time machine back to the ’80s, featuring funk and disco roots with an intricate, modern twist.

Front man and composer Alan Palomo still finds a way to create a wall of sound. Although lyrics have an importance in “Slumlord,” the music and melody are areas where Palomo shines. The melody stands out particularly in the chorus, where the synth and bass swirl into a seemingly endless drone. This instance serves as the epitome of Palomo’s compositions. He demonstrates versatility through his ability to compose infectious melodies across various music styles and genres. Regardless of the direction of the new record, melody will be one of its highlights.

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Joe McAsey is a student-athlete studying business at the University of Wisconsin. Chances are if he hasn’t yet told you how great Bonnaroo is, you haven’t talked to him for 30 seconds. When he isn’t talking about Bonnaroo, Joe is likely studying, running, or screaming at his TV while playing FIFA.